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Mackie DC16

Fiche technique

  • Fabricant : Mackie
  • Modèle : DC16
  • Catégorie : Console numérique
  • Fiche créée le : 22/01/2016
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• 32-Channel Digital Mixing System for professional production

and install

• Flexible modular system with unmatched speed, visibility and customization

DL32R – Powerful 3U rackmount digital mixer


• 17 full channel strips with Alps® 100mm motorized touch-sensitive

• DC16 – Innovative, workflow-driven control surface • Intelligent surface-to-wireless mixing via SmartBridgeTMand

• Dedicated selected channel section with controls for fast access to important parameters

• Mix selector and view groups deliver innovative navigation without preset banks

• Ergonomic layout with generous working space for easy access to all controls

• Unmatched Visual Feedback

• Large, full-color backlit channel ID screens with class-leading


• Flexible channel labeling including name, color and icon

• 6-segment LED channel meters and 3-segement GR meters per channel

• Dedicated show display with snapshot control • Surface to Wireless Mixing via SmartBridgeTM

• Automatically senses presence of up to three iPad devices and changes Master Fader operation to deliver tight integration and customized functionality

• Central iPad follows dedicated hardware controls for selected channel

• Unique history and fixed display iPad modes provide flexible workflow options

• Control up to four channels simultaneously from control surface and iPad devices

• Grab any iPad and go for instant wireless mixing from anywhere in the venue

• Wired recording and playback to central iPad • Built-in charging for all three iPad devices

• Dedicated Wi-Fi router connection point

• Tough Professional Hardware

• All-steel chassis with aluminum front and back extrusions

• Low profile, compact design fits seamlessly into any workspace

• Additional I/O For Your Axis System

• 4×4 Dante via dual locking etherCON • XLR talkback input

• 1/8" stereo input

• Control room/phones outputs


• Complete control over the AXIS system

• Intuitive design with proven workflow that’s easy to master, easy to teach

• Quick setup with large library of factory and user-definable presets

• Access Limiting allows flexible customization of each device, preventing unwanted adjustments

• Export presets, shows and complete system backups via Dropbox, email and more using iOS system sharing

• Complete offline operation allows system creation with just an iPad • Pocketable control from iPhone and iPod touch

• Easy and frequent updates via App Store

Master Fader iOS control app

• Flexible 32×32 recording/playback • Complete Dante® interoperability


• 32 mic/line inputs featuring low-noise, recallable Onyx+TM

mic preamps

• 18 fully-assignable outputs with flexible I/O routing

• 14 balanced XLR line outputs • Stereo AES digital output

• Stereo TRS monitor outputs

• Wide Selection of Powerful DSP

• 36 input channels with 4-band PEQ + HPF, gate, compression

• 32 stereo-linkable input channels

• 4 stereo-linkable return channels*

• 28 output busses with 4-band PEQ + HPF/LPF, 31-band GEQ, comp/limiter, alignment delay and RTA/spectrograph

• 14 stereo-linkable aux sends

• 6 stereo-linkable matrix busses • 6 stereo-linkable subgroups*

• Main L/R busses

• 6 VCAs and 6 mute groups

• 3 stereo FX processors with dedicated sends and returns

• Full I/O routing with A/B sources per channel

• 32×32 routing of any signal on/off a Dante network

• Assignable oscillator including pink/white noise and sine waves • Modern and Vintage options per processor

• Flexible Multi-Track Recording and Playback

• 32×32 recording/playback direct to USB 2.0 HDD

• 32×32 USB 2.0 audio interface for Mac and PC

• Simultaneous recording using included Dante Virtual Sound Card

• Compact 3U rackmount design perfect for install or portable applications

• Personal monitor mixing using up to 20 iPad®, iPhone® or iPod touch® devices

* Wi-Fi router and iPad required.

Wi-Fi router, iPad, iPhone and/or iPod touch not included. Return channels and subgroups feature PEQ and compression.

See Supported Devices on page 4 for complete compatibility information.

iPad, iPhone and iPod touch are registered trademarks of Apple Inc., registered in the U.S. and other countries

and RTA/spectrograph

faders and per channel encoders

2/11 PAGES


AXIS: Digital Mixing System

General Digital

Sample Rate:

A/D/A Bit Depth:

DL32R System Latency:

Analog Input > Main Bus > Analog Output

0 dBFS Reference:

Frequency Response

All inputs to all outputs:

Distortion (THD)

Mic input to main output, 1 kHz, –1 dBFS:

48 kHz 24-bit

1.5 ms +22 dBu

±0, –1 dB, 20 Hz to 20 kHz <0.005%

Analog Inputs 1–32

Connectors 1–24:

25–32: XLR Mic Pre:

Input Impedance 1–24:


Max Input Level XLR:


Gain [digitally controlled analog] XLR:


48V Phantom Power (XLR):

Analog Outputs 1–12

Connectors: Output Impedance: Max Output Level:

Analog Monitor Outputs L/R

XLR Balanced Combo XLR / TRS Balanced


3 k 3 k  mic [XLR] 30 k  line [1/4"]

+21 dBu +30 dBu

0 to 60 dB [3 dB steps] –20 to 40 dB [3 dB steps]

48 VDC, 10 mA max per mic, with up to 16 simultaneously. 5 mA max per mic, with up to 32 simultaneously. Individual digital controller per channel

XLR Balanced 600

+21 dBu


Noise / Dynamic Range / Signal-to-Noise Ratio

Equivalent Input Noise (EIN) 150  termination:


Analog XLR input-input:

Analog XLR / TRS output-output:

Signal-to-Noise Ratio (A-weighted)

(ref +4 dBu, one channel and main fader at unity):

Output Noise (A-weighted) Muted Output:

Dynamic Range (A-weighted)

Analog Input to Analog Output

(One channel and main fader at unity):

Analog Input

(Unity gain, to analog clipping, –60 dBFS signal):

–128 dBu

<–105 dB @ 1 kHz (min. gain) <–80 dB @ 1 kHz (max. gain)

Analog Output

(To analog clipping, –60 dBFS signal):


111 dB >70 dB @ 1 kHz (60 dB gain)

<–100 dB @ 1 kHz 92 dB

–90 dBu

109 dB 111 dB

Connectors: Output Impedance: Max Output Level:

Analog Headphone Out


Max Output Level:

AES Output



Output Impedance:

1/4" TRS Impedance Balanced [Supports balanced / unbalanced operation]

240  Balanced, 120 Unbalanced

+21 dBu

1/4" TRS Stereo

+18 dBu into 600 +19.5 dBu max into 100 k

AES3 Professional, 48 kHz, 24-bit stereo

XLR Balanced 110

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