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Mackie DC16
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Mackie DC16

Console numérique de la marque Mackie

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sebzicsebzic

fabuleux !!

Mackie DC16Publié le 08/02/20 à 11:29
j'ai la DL32R depuis le début de sa commercialisation en France. pour moi, et après avoir essayé behringer, midas, Yamaha, Allen, etc...c'est de loin la plus conviviale, la plus adaptable à SON utilisation et la plus simple.

la DC16 apporte tout ce qui peut faire peur à des sondiers....les potards physiques ! ;-))

pour moi ça n' a jamais été un frein, au contraire...tout piloter depuis un ipad et obtenir un résultat aussi bien (pour 98 % du public) qu'avec des tables de 15 mètres, je trouve ça cool !

la DC16 offre plein de raccourcis, d'ergonomie et est super simple pour travailler dans de belles conditions.

elle est en métal et non plastique, ce qui la rend forcément plus costaud.

le...…
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j'ai la DL32R depuis le début de sa commercialisation en France. pour moi, et après avoir essayé behringer, midas, Yamaha, Allen, etc...c'est de loin la plus conviviale, la plus adaptable à SON utilisation et la plus simple.

la DC16 apporte tout ce qui peut faire peur à des sondiers....les potards physiques ! ;-))

pour moi ça n' a jamais été un frein, au contraire...tout piloter depuis un ipad et obtenir un résultat aussi bien (pour 98 % du public) qu'avec des tables de 15 mètres, je trouve ça cool !

la DC16 offre plein de raccourcis, d'ergonomie et est super simple pour travailler dans de belles conditions.

elle est en métal et non plastique, ce qui la rend forcément plus costaud.

le gros avantage de cette table, c'est le nombre de petits écrans avec les photos !!!! de chaque instrument qui a été entré dans Masterfader. ça c'est magique.

coté branchement, 1 cable RJ45...et on peut brancher 1 lampe, 1 talkback, 1 source externe, deux monitors

pour le moment...et pour longtemps je pense, c'est juste du bonheur, je ne regrette ni la DL32 ni la DC16
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Fiche technique

  • Fabricant : Mackie
  • Modèle : DC16
  • Catégorie : Consoles numériques
  • Fiche créée le : 22/01/2016

Digital Mixing system for live situations with Dante communication and iPad support

■ AXIS DIGITAL MIXING SYSTEM:

• 32-Channel Digital Mixing System for professional production

and install

• Flexible modular system with unmatched speed, visibility and customization

DL32R – Powerful 3U rackmount digital mixer

■ DC16 CONTROL SURFACE:

• 17 full channel strips with Alps® 100mm motorized touch-sensitive

• DC16 – Innovative, workflow-driven control surface • Intelligent surface-to-wireless mixing via SmartBridgeTMand

• Dedicated selected channel section with controls for fast access to important parameters

• Mix selector and view groups deliver innovative navigation without preset banks

• Ergonomic layout with generous working space for easy access to all controls

• Unmatched Visual Feedback

• Large, full-color backlit channel ID screens with class-leading

readability

• Flexible channel labeling including name, color and icon

• 6-segment LED channel meters and 3-segement GR meters per channel

• Dedicated show display with snapshot control • Surface to Wireless Mixing via SmartBridgeTM

• Automatically senses presence of up to three iPad devices and changes Master Fader operation to deliver tight integration and customized functionality

• Central iPad follows dedicated hardware controls for selected channel

• Unique history and fixed display iPad modes provide flexible workflow options

• Control up to four channels simultaneously from control surface and iPad devices

• Grab any iPad and go for instant wireless mixing from anywhere in the venue

• Wired recording and playback to central iPad • Built-in charging for all three iPad devices

• Dedicated Wi-Fi router connection point

• Tough Professional Hardware

• All-steel chassis with aluminum front and back extrusions

• Low profile, compact design fits seamlessly into any workspace

• Additional I/O For Your Axis System

• 4×4 Dante via dual locking etherCON • XLR talkback input

• 1/8" stereo input

• Control room/phones outputs

■ MASTER FADER CONTROL APP:

• Complete control over the AXIS system

• Intuitive design with proven workflow that’s easy to master, easy to teach

• Quick setup with large library of factory and user-definable presets

• Access Limiting allows flexible customization of each device, preventing unwanted adjustments

• Export presets, shows and complete system backups via Dropbox, email and more using iOS system sharing

• Complete offline operation allows system creation with just an iPad • Pocketable control from iPhone and iPod touch

• Easy and frequent updates via App Store

Master Fader iOS control app

• Flexible 32×32 recording/playback • Complete Dante® interoperability

DL32R DIGITAL MIXER:

• 32 mic/line inputs featuring low-noise, recallable Onyx+TM

mic preamps

• 18 fully-assignable outputs with flexible I/O routing

• 14 balanced XLR line outputs • Stereo AES digital output

• Stereo TRS monitor outputs

• Wide Selection of Powerful DSP

• 36 input channels with 4-band PEQ + HPF, gate, compression

• 32 stereo-linkable input channels

• 4 stereo-linkable return channels*

• 28 output busses with 4-band PEQ + HPF/LPF, 31-band GEQ, comp/limiter, alignment delay and RTA/spectrograph

• 14 stereo-linkable aux sends

• 6 stereo-linkable matrix busses • 6 stereo-linkable subgroups*

• Main L/R busses

• 6 VCAs and 6 mute groups

• 3 stereo FX processors with dedicated sends and returns

• Full I/O routing with A/B sources per channel

• 32×32 routing of any signal on/off a Dante network

• Assignable oscillator including pink/white noise and sine waves • Modern and Vintage options per processor

• Flexible Multi-Track Recording and Playback

• 32×32 recording/playback direct to USB 2.0 HDD

• 32×32 USB 2.0 audio interface for Mac and PC

• Simultaneous recording using included Dante Virtual Sound Card

• Compact 3U rackmount design perfect for install or portable applications

• Personal monitor mixing using up to 20 iPad®, iPhone® or iPod touch® devices

* Wi-Fi router and iPad required.

Wi-Fi router, iPad, iPhone and/or iPod touch not included. Return channels and subgroups feature PEQ and compression.

See Supported Devices on page 4 for complete compatibility information.

iPad, iPhone and iPod touch are registered trademarks of Apple Inc., registered in the U.S. and other countries

www.mackie.com

and RTA/spectrograph

faders and per channel encoders

2/11 PAGES

PRELIMINARY

AXIS: Digital Mixing System

General Digital

Sample Rate:

A/D/A Bit Depth:

DL32R System Latency:

Analog Input > Main Bus > Analog Output

0 dBFS Reference:

Frequency Response

All inputs to all outputs:

Distortion (THD)

Mic input to main output, 1 kHz, –1 dBFS:

48 kHz 24-bit

1.5 ms +22 dBu

±0, –1 dB, 20 Hz to 20 kHz <0.005%

Analog Inputs 1–32

Connectors 1–24:

25–32: XLR Mic Pre:

Input Impedance 1–24:

25–32:

Max Input Level XLR:

1/4":

Gain [digitally controlled analog] XLR:

1/4":

48V Phantom Power (XLR):

Analog Outputs 1–12

Connectors: Output Impedance: Max Output Level:

Analog Monitor Outputs L/R

XLR Balanced Combo XLR / TRS Balanced

Onyx+

3 k 3 k  mic [XLR] 30 k  line [1/4"]

+21 dBu +30 dBu

0 to 60 dB [3 dB steps] –20 to 40 dB [3 dB steps]

48 VDC, 10 mA max per mic, with up to 16 simultaneously. 5 mA max per mic, with up to 32 simultaneously. Individual digital controller per channel

XLR Balanced 600

+21 dBu

DL32R SPECIFICATIONS

Noise / Dynamic Range / Signal-to-Noise Ratio

Equivalent Input Noise (EIN) 150  termination:

Crosstalk

Analog XLR input-input:

Analog XLR / TRS output-output:

Signal-to-Noise Ratio (A-weighted)

(ref +4 dBu, one channel and main fader at unity):

Output Noise (A-weighted) Muted Output:

Dynamic Range (A-weighted)

Analog Input to Analog Output

(One channel and main fader at unity):

Analog Input

(Unity gain, to analog clipping, –60 dBFS signal):

–128 dBu

<–105 dB @ 1 kHz (min. gain) <–80 dB @ 1 kHz (max. gain)

Analog Output

(To analog clipping, –60 dBFS signal):

CMRR:

111 dB >70 dB @ 1 kHz (60 dB gain)

<–100 dB @ 1 kHz 92 dB

–90 dBu

109 dB 111 dB

Connectors: Output Impedance: Max Output Level:

Analog Headphone Out

Connector:

Max Output Level:

AES Output

Format:

Connector:

Output Impedance:

1/4" TRS Impedance Balanced [Supports balanced / unbalanced operation]

240  Balanced, 120 Unbalanced

+21 dBu

1/4" TRS Stereo

+18 dBu into 600 +19.5 dBu max into 100 k

AES3 Professional, 48 kHz, 24-bit stereo

XLR Balanced 110

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Autres dénominations : dc 16