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VintageMaker 1U Summing Mixer Neumann 16x4 TRS/DSUB/TRS 2xSTM 1xSND/RET
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VintageMaker 1U Summing Mixer Neumann 16x4 TRS/DSUB/TRS 2xSTM 1xSND/RET

Sommateur de la marque VintageMaker

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Annonces 1U Summing Mixer Neumann 16x4 TRS/DSUB/TRS 2xSTM 1xSND/RET

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  • Fabricant : VintageMaker
  • Modèle : 1U Summing Mixer Neumann 16x4 TRS/DSUB/TRS 2xSTM 1xSND/RET
  • Catégorie : Sommateurs
  • Fiche créée le : 14/11/2018

2in1 Active/Passive Neumann 16x4 TRS/DSUB in /TRS out 2xSTM 1xSND/RET

 

  • 1U standard rack
  • Neumann v475-2C NOS
  • 8 input by TRS balanced (1-8)
  • 8 input by DB25 Tascam Analog balanced (9-16)
  • 2xStereo out by TRS balanced (main/monitor)
  • 2x (STM) Stereo to mono on stereo CH1 and CH2 by switch = 4 mono
  • Master Active/Passive 2in1 option by switch
  • Master Send/Return by switch via TRS balanced stereo L/R
  • *signal was non interrupted if nothing connected to SEND
  • 2x21 step precision Neumann master gain L/R potentiometer
  • 110-240VAC to 18-24 VDC 0,6-1,5A PSU
  • Power LED: yellow
  • Design: medium minimal
  • build time 12 business working weekdays (estimated)

 

Master Active/Passive 2in1 option: like You have 2 type of summing mixer in the box:

 

  1. Active mixer: gain makeup by inside amp Neumann/Filtek/Lawo/NE2OX
  2. Passive mixer: gain makeup by Your external micpres or DAW amplifiers

Benefits: Different amp = Different sound character

Depending of your music production you can use internal transformer "nice harmonics colour sound" transformer based amplifiers like Neumann/Filtek/Lawo/NE2OX. 

If you need something else more "transparent no colour sound" you can go by your micpre or DAW instrument input or DAW micpre amps.

 

Master Send/Return option: SEND master signal to external EQ, Comp, Limiter

 

  • 2xSwitch version: You can Bypass Send/Return / or / Enable Send/Return by switch
  • Auto TRS version: signal was non iterrupted if nothing connected to SEND out TRS

Stereo to Mono input switch: For mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2, 3 & 4 etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. 

 

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